A Little Something Extra (but not quite enough)

I’ve had a dishtowel warp on the loom for months. Oh wait, was it only April? That’s not that long…. sigh.

I wound enough warp for six towels, the most I’ve planned for, ever, because I’m not exactly a production weaver. More like a see-where-my-whims-take-me weaver. But, my pattern seems to be that my measuring/estimating skills are not quite up there with the professionals. That last towel turned out to be a placemat. But I love it anyway…. 😉

Circles and Checks Towels 04

Truth is, just about all, OK all, of my dishtowel warps have just enough left over for a small mat. My collection is growing.

This warp was threaded in my Circles draft for Turned Taquete. I alternated natural color 10/2 cotton with different color stripes of 10/2 cotton from the stash. The idea was to use up some cones, and I did that. I threaded 32 epi.

Here are a couple of shots of the group:

Circles and Checks Towels 02Circles and Checks Towels 03

As you can see I produced dishtowels with the original circles treadling and dishtowels with the checked treadling. I used the 10/2 natural cotton as weft for two of the towels. Then I switched to checks.

As in this drawdown:

Screen Shot 2017-04-11 at 2.53.17 PM

I alternated natural and brown on one. On the second I rotated natural, tea rose and camelia.

Then I went back to circles and wove one with all mauve. The short number six was woven with all camelia.

Quite a cheerful bunch, I think. Next up, I will get them photographed and in my etsy shop. It’s a good thing, because I am currently all out of dishtowels and I need to stock up!

Cheers!

 

 

 

 

Turned Taquete Circles into Checks (oh my!)

You’ve seen this:

susan-mod1-color-stripes

And I’ve been weaving circles, quite a lot of them in fact. I have the treadling down cold. All I have to do is press a treadle and I know where I am in the sequence. To date I’ve woven three warps of circle scarfs.

Black and white:

Turned Taquete Circles BW 01 copy

Gray and reds:

Red and Gray Dots Scarf 01 copy

And now, gray and greens:

Greens Circles Scarf 2

As you know, one of my recurrent themes is trying to find different designs on a threading, making it do double, triple, quadruple duty if I can. So, toward the end of the third warp I started asking myself what else I could weave on the same threading, besides circles. Heck,  maybe even the same tie-up so I wouldn’t have to crawl around on the floor. Something that folks like and want.

And just like that, I thought of checks. Sort of the yang to the yin of the circles thing. So I sat down with the weaving software and played with the treadling and came up with this little gem:

Screen Shot 2017-04-11 at 2.53.17 PM

Here it is in a different colorway:

Screen Shot 2017-04-11 at 2.57.03 PM

So, a dish towel warp could do extra duty and also save the weaver from simple boredom, or, worst case, falling asleep at the loom ;-).  I think this design would be fun as bright and colorful placemats as well.

FYI, for those with only four harnesses, there is a nice little draft on handweaving.net for four harness Turned Taquete checks. Shared by Bonnie Inouye, it is # 61535. As for the circles, you’re still gonna need eight.

Jitterbug Turned Taquete – It’s not just for 8 harnesses!

About two years ago I blogged about taking an overshot pattern called Jitterbug and converting it to an 8 harness Turned Taquete weaving draft. You can read all about that here. I don’t know why my mind wandered back to that, but I started wondering about how it would work on 4 harnesses. In her article “Turned Taquete: an Introduction” (*see below), Bonnie Inouye describes how it can be done by interleaving a four harness overshot threading with a second threading on opposites. I did not try this method, but I did decide to explore another method.

In her book Weaving with Echo and Iris Marian Stubenitsky suggests some ways to substitute blocks of four harnesses, each arranged in a different order, for the threading blocks in a design line. This means that each block will be switched for a four-thread sequence. Here is the substitution formula from page 71:

For Harness 1 we will substitute 1324

For Harness 2 we will substitute 3124

For Harness 3 we will substitute 3142

For Harness 4 we will substitute 1342

Other sequences of substitution in her book had issues. One could only be used on a rising design line, not descending. Another ended up with many double threads that needed to be deleted. This method had no problems and only the caveat that this threading rubric does not work with iridescent effects (four colors per block), but only with two alternating colors per block.

Off I went. First I re-wrote the design line to the minimum (keeping in mind that it would be expanded by 4x):

screen-shot-2017-02-17-at-11-36-38-am

FYI– this is what it looks like with two repeats of the threading and treadling:

screen-shot-2017-02-17-at-11-38-03-am

This is one repeat of the threading draft after four-thread substitutions are made:

Jitterbug Threading

And this is one repeat of the threading draft with the tie-up and one repeat of the treadling draft, which includes tabby on alternating picks:

screen-shot-2017-02-17-at-11-59-56-am

The longest floats are 4 threads according to Fiberworks, which should be fine for most close sets. So, lest you four harness weavers should feel left out of the Turned Taquete craze, this is a perfectly serviceable technique to join in the fun. Enjoy!

*The complete article can be found here: Complex Weavers Journal, June 2014, pp 36-40.

Circles 3.0: Color and Stripes!

I just finished the first Turned Taquete Circles warp, and I managed to eke out two scarves after all that sampling. One is a bit on the short side, so I guess I’ll save that one for moi. I enjoyed the monochrome project, so different for me, but I found myself plotting how to add color this draft. And lots of it. And fast.

susan-mod1-color-stripes

As you can see from this screen shot, the circles are distinctly separate (barely) in the vertical columns, but just a bit overlapping in the horizontal columns. (I’ll have to work on that.) That means that I can change colors vertically, thus adding a whole bunch of interest with very little effort. I’m not sure I would want to change colors in the weft. I rather like weaving with only one color to think about in the shuttle.

Now. Time for a glass of wine.

 

And we have a winner!

I am not a sampler. But I sampled. And, well, the apocalypse didn’t come. The sky didn’t fall. And it was a good experience. I learned stuff, and I am now ready to weave some Turned Taquete Circles scarves.

I started out with 1450 ypp rayon chenille set at 16 epi. In this photo the bottom sample is woven with 1450 ypp black.

16epiblack

The next photo is the top portion of the same 16 epi sample, but woven with 2000 ypp white. I was playing with the treadling, elongating the middle, anticipating that with the release of tension and wet finishing, that the ovals would shrink to circles.

16epiwhite

Then I resleyed to 18 epi. And I wove two samples with the same wefts, 1450 ypp black and 2000 ypp white. Again I elongated the middles of the circles pre-wet finishing.

18epiblack

18epiwhite

I don’t have a picture of these post-wet finishing, but, trust me, they didn’t shrink as much as I would have anticipated. They remained pretty much as ovals.

So, then I resleyed to 20 epi and changed my reed to a 10. I was tempted not to do it. I was busy with Christmas prep, and I didn’t have a bunch of time. But. I did it anyway!  And lo and behold it was the right thing to do.

So I wove this last sample with the same black and white wefts, this time greatly abbreviating the treadling of the middles of the circles. Keep in mind that the circles became thinner as I resleyed. So the treadling of the middles became shorter and shorter.

20epiwhite

20epiblack

This is a photo of the sample post-wet finishing.

20epiboth

And the bottom sample is the winner.  Even after wet finishing the shrinkage wasn’t much. I find I prefer the hand of the 1450 ypp rayon weft.

Below you will find the now-revised-yet-again Turned Taquete Cirlces draft.

I optimized the tie-up. Originally, there were nine treadles tied, but two were tied to the same harnesses. That’s two too many for me when I have to crawl around on the floor. So that meant that the treadling sequence had to be revised, which I have done as well.

This is the best yet!

susan-mod-2

Wif files available upon request.

Circles Draft Scarves: Monochrome

Okay, this is how it’s going to go down. I am warping for a small batch (two) of Turned Taquete Circles Scarves, and using yarn on hand (how else?). I decided to go with rayon chenille because it’s easy. I don’t want to wind a warp that’s 60 epi. Au contraire, I’m starting this at 16 epi and will be sampling from there. This is 1450 ypp chenille, and my normal epi for that is 16. I am prepared to go up to 20, but we’ll see how it goes. I have weft of the same size, and I also have weft that is 2000 ypp, which would probably be recommended for drape.

Shockingly enough, I will sample with both!

Circles Scarf on the warping reel

This is the draft I’ll be using, including color choices. I decided to go full on monochrome, just black and white. My next warp will have color added. This time, I wanted the most contrast I can get, and besides, I like black and white dots.

Circles Scarf Weave Draft

In other news, I have a batch of Turned Taquete towels off the loom and ready to finish:

Turned Taquete New Batch

Dishtowels off the loom – group portrait

This warp is my standard dishtowels warp: 10/2 cotton sett at 32 epi. 20 inches wide, and woven as close to 30″ long as possible, not counting hems which are another 1 1/2″ each. I say 10/2 cotton is my standard, but as soon as I use up my 10/2 stock, I think I will be switching to 8/2 cotton.

8/2 cotton seems to be a more standard material for dishtowels these days. Plus it’s somewhat less expensive. Can’t argue with that.

So, here are some close-ups just for fun:

Turned Taquete Dishtowel ZoomTurned Taquete Dishtowel ZoomTurned Taquete Dishtowels Zoom

I took these shots with my new iPhone, and I have to say that these photos would stand up to my Nikon SLR any day. Just sayin’…

Woven Shibori – The Adventure Continues (Originally published 1/11/11 – 4/19/11)

In this repub I will be combining three different blog posts, keeping the really essential bits about Woven Shibori and flushing the bits that no one wants to read about ;-).

Part the first:

I had plans for a new Woven Shibori wide scarf project. I researched patterns on handweaving.net and found an undulating twill pattern for 8 harnesses that I liked and played around with it on pixeloom. I got a warp wound and halfway threaded. I was going to finally get back to it and then the holidays and my holiday knitting kind of got in the way of any serious weaving.

But I thought I would share my draft. I am actually using the sequence on the left which starts with two repeats of a straight draw, then a zigzag in the middle, then two repeats of a straight draw.

This is the drawdown. What I had in mind was an ogee motif repeated across the scarf. See this article on Ogees for more on that subject.

shibori-drawdown-1

Part the second:

[After the holidays] my woven shibori project moved slowly but it did progress. I got the first scarf off the loom and tied up all of the shibori threads. I had decided to paint the scarf with one color (rust) on one side, wait a bit, and then flip it over and paint the scarf with a different color on the other side. I did this in my dungeon (basement) dye studio. The scarf was just the right length to stretch out on the “table” that I use to paint yarn.

So first I soaked the scarf in my tub of water and soda ash.

chenille-shibori-green-5

Then I stretched it out on my dyeing “table” and painted it with the rust color dye.

chenille-shibori-green-6

As you can see, my “table” is a piece of plywood placed on a non-functioning laundry sink. Not very glamorous, but it is a space that suits my needs and as an added bonus, nobody else in the family would ever consider wanting to use it.

So I have that scarf dried and the ties pulled out. It’s very interesting to note that the dye didn’t really penetrate to the other side very much, with either color. So the scarf is kind of reversible, colorwise.

I have finished weaving the second scarf, with a slightly different tie-up, with longer floats. I am in the process of dyeing it, and there will be two steps. The first was to paint it all over with aquamarine dye, which makes the light yellow a pretty aqua-green. Then I will dip-dye the scarf in a tub with a good medium blue.

To be continued….

Part the third:

When I last blogged about my latest woven shibori project, I had just dyed the first scarf in a two-scarf warp by painting it, front and back, one side with rust orange and the other side with brown. That scarf turned out ok, but I didn’t like the pattern. The undulating twill was way too elongated, and it was kind of broken up. The lines weren’t smooth enough for my sensitive eye.

So my next move was to alter the tie-up for the second scarf. I made the floats much longer with the hope that the pattern would be more clearly defined. I also changed the treadling so that each pattern shot was done twice (last time I did each pattern shot three times). Here is the latest weaving draft which reflects all these changes:

shibori-drawndown-2

So I wove the scarf (a process that took quite a while, as I was doing a bit of knitting as well). I pulled up the shibori pattern threads and tied them. Then the dyeing began. I decided to do two colors. The base color of the scarf is a light yellow, so the dye colors had to be able to go well with that color. I chose aquamarine for the first color. And I put the soda-soaked wet scarf in a plastic tub and basically poured a half liter of dye solution all over it. I squeezed it and turned it over and over, making sure that the scarf was completely covered by the aquamarine. Then I covered the tub and left it for about a day. I went through the rinsing out, and hung it up to dry.

No rush.

My next move was to mix up some bright blue dye, enough for the weight of the scarf and filled a tub with about three inches of dye solution. I soda-soaked the scarf again, and then draped it over a couple of lucite dowels so that just the ends of the scarf were dipped into the dye solution. I left this for a few hours, maybe overnight, memory fades….

Anyway. I rinsed it out, and then I went away for about a week and a half, and I couldn’t see the finished product until I got back home. The suspense!

So, here are some pics. This is the scarf, with the ties still in:

chenille-shibori-green-2

And here is the scarf modeled by the lovely Stella:

chenille-shibori-green-4

And here are a couple more pics, purely for eye candy:

chenille-shibori-green-1chenille-shibori-green-3