Blast from the Past

(This blog post was originally published May 16, 2013 on my first blog site, which is no longer in existence.)

I wove the rug pictured below in 1988, right after I graduated with my Master’s Degree in Craft Design from Iowa State University. I did an in-depth study of block weaves and computer-aided design. At that time there were a LOT of different little micro-computers and weave design programs. I used a funny little program on an Atari computer to run a compu-dobby attached to a Macomber loom in the university weaving studio. At home I purchased a program for the Apple IIe called “Pattern Master IV” from the company that later became AVL Looms.

I used that program to design this rug, and wrote it up in an article for the long ago defunct weaving magazine The Weaver’s Journal. They wanted to publish it, but they ran out of funding and were never able to do so. So my article sat in a folder ever since then. I always liked my design and the rug I wove. I’m not sure if I still have it. But the design remains one of my favorites.

The rug itself is woven using boundweave on Summer and Winter. This is a weft faced structure in two colors of rug wool with a linen warp. The article (see below) has more specs.

I recently scanned the article to PDF and uploaded it to Scribd, where it is now available to read. But I warn you, there’s a lot of writing about designing double two-tie twills, which kind of made my head explode. Also, there’s a lot of stuff about working with Pattern Master IV, which you can feel free to skip over (after you stop laughing). The article is mainly valuable to me for the profile draft of the woven rug, which I can use in other weave structures. My old fave Diversified Plain Weave comes to mind…

Theory and Practice and Weaving from Times Past



Ok, I am working on a dishtowel warp and this is just a quick follow-up post to my last post. That post was all about how my Turned Taquete threading (which is actually just a straight draw) could be tied up for twill treadlings.

I’ve got enough warp for four towels and this is number three. And looking pretty good. As I explained before, threading stripes of solid color in between the stripes of contrasting color will ensure that the twill will show well.


Now, on a completely different subject, I have begun “scanning” my slides of weaving from times past. I finished my Masters Degree in Craft Design in 1987 and began weaving and exhibiting for a period of time after that. I took many slides of my work, and have just finally begun the process of sorting these slides, and reproducing them digitally.

My gizmo of choice is this:

The Lomography Smartphone Slide Scanner works with my iPhone to capture the slide images quickly and easily. While not the super quality of the slide scanners I used to work with in my former life as a Curator of Visual Resources, the images I am getting are good enough and sometimes even great. I edit them in Photoshop, and upload them to Flickr. Some blog readers may have already noticed them on the Cooliris Flickr Wall on the right. More are coming!

And I will talk more about these weavings in a future post. For now I will say that I did a ton of work in boundweave with Summer and Winter threadings. Inspired by Peter Collingwood’s book on rug weaving, I called it polychrome Summer and Winter on opposites. Now everyone calls it Taquete. (Who knew?)