Just Off the Loom

Just off the Ashford loom, I have two 16 harness point twill scarves woven on a variegated 8/2 tencel warp from WEBS. They are different takes on circles and examples of the amazing versatility of that weaving draft.

The first one, above, is from Ingrid Boesel’s Thrilling Twills collection, from the 16sF Fancy Twills folder. I used some hand dyed 8/2 Tencel in Baby Blue for weft. The warp is sett 24 epi, and is 10″ wide.

The second one, above, is a draft that was sent to me by a very nice reader of my blog about 5 years ago. For this one I used some hand dyed 8/2 tencel in Shitake Mushroom for weft.

Look for both in my Etsy shop soon! Cheers!

New in my Etsy Shop: Custom Handpainted Yarns

From now on, I will be doing handpainted yarns to order in my Etsy shop. Instead of painting yarns and waiting for the public to notice them, I will be offering a selection of handpainted colorways which will always be available to order! I will also be offering each colorway in a selection of fiber types.

Currently, I have 8/2 Tencel, 8/2 Rayon, 12/2 Rayon, and 1450 ypp Rayon Chenille in stock and ready to paint. So, please visit my shop and have a look. Is there a colorway you are missing? Let me know!

Thanks!

What’s On the Loom?

It’s been a while since I’ve shared what’s on the loom, but then again it’s been a while since I’ve actually had something on the loom. This piece is a scarf in Diversified Plain Weave, a technique that I’ve worked with before.

I published two scarves in Handwoven Magazine, one in May/June 2012 and one in May/June 2013, using Diversified Plain Weave (look them up!) One of the scarves was a circles scarf, and I thought I would like to rework that design into rows of offset circles. And this is what I came up with.

I used 20/2 cotton for the ground warp and tabby weft, and 1450 ypp rayon chenille for the pattern warp and weft.

I’ve finished these scarves and am now planning another warp that I may use as a basis for a pattern for my Etsy shop.

Stay tuned!

A Much Needed Addition

My Ashford Table Loom is a joy to use and I really should weave on it more. I do try, and right now I’ve got an interesting warp on it. This is an 8 shaft Amalgamation draft, #79686, from handweaving.net.

I am using 2/10 merino/tencel, Colrain Lace, sett at 20 epi. I am enjoying the weaving, but just finding the time to devote to it has been a challenge.

However, the real reason I am writing this is to report on the new Ashford Shuttle Race attachment that has just become available as an add-on to their looms. It is fantastic! Before I bought it, weaving was a little fraught, I was always nervous that my shuttle might miss a warp or two on the way back and forth. Finding those errors (on the back!) was really annoying. I am hoping that the shuttle race, providing a solid base on which to slide the shuttle, will minimize any future bloopers.

This is what it looks like in place attached to the beater.

This is what it looks like with the warp in place. Sending greetings from snowy Louisville!

Scarf Sale and Bundle Special!

Just a short post to let y’all know that I’m running a 25% off sale on my Merino/Tencel scarves in my Etsy Shop (see link on the right side of this page). This sale will go till December 13, so please visit and check it out!

Also, I’m bundling my Handpanted Tencel yarns and (separately) my Rhythm Crackle patterns for 10% discounts. This will go on indefinitely :-).

Cheers!

Turned Crackle!

I’ve tried everything else I can think of with the Rhythm Crackle draft. What’s left? Turned Crackle!

Turned Crackle is a one shuttle weave. The warp consists of alternating thick and thin threads. The weft consists of either the thick or the thin thread (your choice, but I prefer the thick). Berta Frey wrote about turning crackle drafts in her book Designing and Drafting for Handweavers. She notes that the treadling draft for classic crackle looks like a threading draft for Summer and Winter. By turning the treadling draft to become the threading draft, we can weave the design using one shuttle instead of two.

I tried two different versions with yarn sizes. The yellow and the orange are 16/2 unmercerized cotton (yellow) and 8/2 unmercerized cotton (light variegated) warps with 16/2 unmercerized cotton weft. By the time I got to the end of the orange one I was ready to tear my hair out. Much too slow! So, for the blue and the green one I used 8/2 unmercerized cotton weft. This time the weaving time was much more acceptable. For all the sett was 24 epi.

Here is the drawdown:

I used my weaving software and applied the “turn draft” function to my Rhythm Crackle drawdown.

These two details show the difference between using a thick weft (blue) and a thin weft (yellow). Besides being faster to weave, the blue just looks better. The yellow looks more honeycombed? (head scratcher there).

Turned Strickler #532

The summer is dwindling and I haven’t been overly busy with projects, but this is one that has been on the back burner for a few months. Started in April ;-). Finally off the loom, and ready for its close-up.

This is from Carol Strickler’s A Weaver’s Book of 8 Shaft Patterns, #532 which is written for Summer and Winter. But, I am not a big fan of two shuttle weaves anymore, and this one as written requires more treadles than I am willing to retie. Converted to a turned draft, you only need one shuttle instead of two. However, if you don’t have a 16 harness loom the convenience factor dips a bit. This particular turned draft requires 14 shafts. I wove it on my Ashford 16 shaft table loom. Another reason it took so long!

I chose 8/2 rayon for the background warp and used up some handpainted 6/2 rayon for the pattern warp. I used the same 8/2 rayon for the weft. I love the 6/2 together with 8/2. It is just a bit thicker, making the pattern stand out just a bit more. If anyone has a source for 6/2 rayon I would be very interested. It is impossible to find.

I am looking to do another turned draft next. Rhythm Crackle as a turned draft seems like an interesting next project!